Allegro
Why did you join the union?
Volume CIX, No. 5May, 2009
From time to time, as space permits, Allegro will spotlight some new or readmitted members.
I am a violinist, electric violinist, conductor, composer and teacher. Iāve been the concertmaster of regional orchestras as well as a recitalist and soloist. I joined the union because it is the correct thing to do; when I lived in Southeast, I didnāt have this opportunity. My goal is to become known as soon as possible because my creativity and making a living depends heavily on this. Alex Bosch |
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Iām a vocalist and guitarist. I joined Local 802 because Iām a professional musician and it made sense to me become part of the greater whole in hopes we may further our collective goals. The idea of having a pension plan and other benefits appeals to me as well. My musical goal in New York City is to play the best venues, be a great draw, sell a million CDās and win a Grammy award. Murali Coryell |
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I just moved back to New York after having grown up here. I lived in Israel and worked as a conductor in Israel, Indiana and Montana. My main instrument is viola, although I have played in many ensembles on French horn and baritone horn. My goal in New York is to make music, whether as a conductor or violist playing chamber music and in an orchestra. It is great to be back. Thomas Elefant |
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I am a jazz vocalist and bandleader, currently performing with my Jazzinā All Star Ensemble in the New York/New Jersey metro areas. I am interested in performances in New York City for greater exposure. Iām also looking for access to club dates, concerts, restaurants, jazz festivals and workshops. The reason I joined Local 802 is because I wanted to be in the loop as to the rules, policies and procedures. I learned from the jazz masters how they did not receive proper compensation for performing, having insurance, and respected for their musical contributions and dedication. Carrie Jackson |
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I am proud to join the fine members of Local 802, and hope that they will come see me perform at the Manhattan Theatre Club for the run of āRuined.ā I am a Chicago-based musician and composer, born in Congo, and am promoting my works to support the people of Africa in their struggle for peaceful co-existence. Simon Kashama |
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I joined Local 802 because I just moved to New York City and I thought it would be a good way to meet other musicians in town. My goal is to play as much as I can, anywhere and everywhere, and to go listen to all kinds of music! My principal instrument is the harp. Megan Levin |
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I play acoustic and electric guitars. Like any true working musician, my goals are multifaceted. I aspire to further develop a career in the Broadway pit orchestras; I debuted in 2008 as a sub on āGrease.ā Iām signed to Late Set Records, and I aspire to book appearances at the Blue Note and elsewhere. I play every Sunday at the Bar Next Door at La Lanterna; I want to grow the clubās reputation for great jazz. I also provide music for events. Peter Mazza |
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Iām a guitarist. I was hired by the nonprofit organization āMidori and Friendsā to teach guitar classes in New York public schools. A friend of mine who Iāve played and hung out with for years recommended me for the job. Membership in the union is a requirement for employment. After living in New Jersey for a couple years while pursuing my Masterās, Iām looking for new ways to be a part of the New York scene. Iām interested in surviving as a performer and educator in the greatest and most musically challenging city in the world. Iāve lived in a few different parts of the world, and Iāve never felt as musically stimulated as I do when Iām in New York. Matt Panayides |
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I am a freelance violinist, working towards getting a steady job in an orchestra. I was originally planning to join Local 802 because my friends recommended it; at the same time, I got a call from the National Art Center in Ottawa to play a concert with them and they required me to join the union. Cecee Pantikian |
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I play piano. Why did I join Local 802? I couldnāt resist the temptation of being on the same stage with Jane Fonda. My musical goal in New York City is to stay employed and have fun! I got my gig because the wonderful Diane Walsh was looking for somebody who knew the Beethoven Diabelli variations. I do. Matei Varga |