Allegro

Currently Browsing: January, 2009

How investing in culture revs up our economic engines
Paul Molloy
IN THE LONG RUN “The deficit worriers have it all wrong. Under  current conditions, there’s no trade-off between what’s good in the short run and what’s good for the long run; strong fiscal expansion would actually enhance the economy’s long-run

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Jay Blumenthal
Robert Chausow and Carolyn Wenk-Goodman, members of the ACO. A new agreement has been reached between the American Composers Orchestra and Local 802. This agreement adheres to the same wages as the other major freelance orchestras. (See the Wage & Contract

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Tough Times
Mary Landolfi
Although the holiday season is upon us, the atmosphere is distinctly un-jolly. The stock market continues its gyrations, unemployment has begun to skyrocket and the call for a bailout for various segments of the economy continues. One can easily understand

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Todd Bryant Weeks
Local 802 member and saxophonist Sean Lyons helped organize theaching artists at Midori & Friends, winning a union contract. After five sessions and over a dozen hours at the negotiating table, Local 802 and Midori & Friends — an educational

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Creative teaching gigs available to musicians and other artists
IN A NUTSHELL • Musicians and other artists can earn $154.97 per school day for subbing in the New York Public Schools. • The subbing is through a special program where you can use your music as part of your

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Legal Corner
Harvey Mars, Esq.
CAN YOU HELP? More than three years ago — on Nov. 2, 2005 — Local 802 won a $33,015 federal court judgment against Broadway producer Marty Bell and his company Chef’s Theatre Holdings for wages and benefits owed to musicians for work performed

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To Your Health
Martha Hyde
We’ll all retire someday. For those of us without any other health insurance, Medicare will be a lifeline. Below, Allegro continues its series on the ins and outs of Medicare. This month: how Medicare’s drug benefit works. Did you know

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The Musicians’ Voice is an open forum for discussion about the state of union affairs. The letters published here do not necessarily express the views of Local 802. Letters must be 300 words or less. Send them to Allegro, c/o Local

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We’re not a booking agency, but from time to time, Local 802 receives requests for live music, mostly from the general public looking to hire musicians for weddings, private parties and corporate events. Sometimes we receive calls from other unions

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What do the two pictures to the right have in common? Answer: both are examples of fake music. The photo on the bottom is from the front page of Allegro in February 1984. It shows “Sally,” a robot pianist and

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Your computer wants to know what you’re listening to
Mikael Elsila
How would you like your computer to recommend music for you? That’s the latest trend, but is it good for consumers or musicians? Here are three quick examples of how computers are thinking for you. Warning: these will only make

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Is there money waiting for you?
Mikael Elsila
If you’re listening to the radio and you hear a tune that you played backup on, do you get any kind of royalty? The answer, for now, is a big, fat “no.” Only the copyright holder of a song —

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Musicians' Assistance Program
Cindy Green, LCSW
The New Year is here and with it comes the opportunity for a fresh start. Everyone likes a clean slate and the New Year shines a light on new beginnings and fresh opportunities. We’re all enthusiastic at the start of

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A SIGN OF CHANGE The fight continues to keep recording in New York. Last month, Local 802 sent out a petition to save Legacy Recording’s satellite studio at 509 West 38th Street, one of only a handful of rooms capable

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From time to time, as space permits, Allegro will spotlight some new or readmitted members. Joining Local 802 is a part of my musical goal in New York City. As a freelance violist, expanding and being part of the network is

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Henry Addler, drums Stanley Block, violin Louise Caso, guitar Jane Cochran, oboe Sol C. Consor, saxophone Gayle Dixon, violin/arranger Bill Gaffney, oboe Louis Guss, trumpet Tina Hafemeister, arranger/copyist Herbert Harris, percussion Lionel Kilberg, bass Alice McDaniel, violin Odetta, actress/guitar/vocalist Studs

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November 10, 2008 - November 18, 2008
MONDAY, NOVEMBER 10, 2008 Meeting called to order at 11:05 a.m. Present: President Landolfi, Recording Vice President Dennison, Financial Vice President Blumenthal, Executive Board members Burridge, Fein, Giannini, Johansen, Norrell, Rizzo, Roach, Schwartz and Jazz Advisory Committee Liaison Owens.  Recording

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SIGHT-SINGING ANSWER: Fugue in C-minor from the Well-Tempered Clavier, Book 1. (J.S. Bach) Across  1- Editor’s mark STET 5- Humid DAMP 9- It’s shaped like an F on basses HOLE 13- Pakistani talk URDU 14- Hold back DETER 15- Negative

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January 2009
Date Event Time Location 1/1 Thu. CLOSED: NEW YEAR’S DAY     1/2 Fri. CLOSED: DAY AFTER NEW YEAR’S     1/5 Mon. JAZZ FOUNDATION JAM SESSION  7:00 PM Club Room 1/7 Wed. THEATRE COMMITTEE* 5:15 PM Exec. Bd. Room

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Bill Crow
When Larry Benz found out about the cabin that my wife and I have on Martha’s Vineyard, he sent me this story:  “I grew up there, in Vineyard Haven, two houses down from the Episcopal church. In the 1950’s, Lennie

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