Theatre Musicians Look Towards the Future

Volume 118, No. 10October, 2018

Tony Damico

AFM Local 47 Secretary-Treasurer Gary Lasley (pictured at far left) swears in the officers and directors of the Theatre Musicians Association, including President Tony Damico.

The 23rd annual Theatre Musicians Association conference was held this past August at the new AFM Local 47 offices in Burbank, California. It was a day and a half of interesting and informative addresses, presentations and discussions. Our host, Local 47 president John Acosta, couldn’t have been more welcoming and generous. The theme of the conference was loosely structured around the topic of the current state and future of the musical theatre business. Some of the presentations of the conference included:

  • My president’s remarks, where I encouraged all TMA members to get involved in the organization by bringing in new members or starting new chapters. I also addressed the issue of national touring acts such as “Evanescence” or “Il Volo,” which come into our cities and hire local musicians for below-scale wages. While not theatre work per se, the musicians hired for these shows are often the same players who are hired to play the traveling Broadway shows that come into local theatres.
  • Vice President Heather Boehm gave an impassioned address about gender equality in the musical theatre pits, and how we still have a long way to go before this equality is achieved.
  • AFM President Ray Hair updated us on the SLRA negotiation, the effort being made to collect unallocated pension contributions, and the 2019 jingle agreement negotiations, which will probably focus on licensing. President Hair also spoke a bit on the efforts to relocate the AFM offices, and how in the end it made sense to remain at 1501 Broadway but make a move to the 9th floor. Later, President Hair returned to the podium to give a history of the Pamphlet B agreement.
  • AFM Secretary-Treasurer Jay Blumenthal reported the AFM has a $2 million surplus and a total of 187 locals. Nine mergers took place in the last year. Secretary-Treasurer Blumenthal gave details about the 2019 AFM convention, which will take place next June.
  • AFM Local 802 President Tino Gagliardi gave a report on the state of the Broadway theatres, noting there are currently 28 musicals on Broadway employing about 418 musicians. Next season, there are 31 musicals slated to come in, which is the most in recent history.
  • AFM Touring/Theatre/Booking Division Director George Fiddler gave his report outlining the number of dollars Broadway and touring musicals generated this past season, as well as the number of theatre-goers these shows attracted. He gave a summary of the shows that were on tour during the 2017-18 season, and how many travelers and local musicians each show employed. George also discussed how the overages on SET agreements compared with full Pamphlet B shows. Finally, he gave a preview of what shows we can expect to be on the road in the 2018-19 season
  • Michael Manley, AFM Director of Organizing & Education gave a presentation on organizing, including a showing of the film “1,000 People In The Street,” a documentary about the 1997 Fifth Avenue Theatre musicians’ strike in Seattle.
  • TMA SoCal President Paul Castillo led a panel discussion entitled “Organizing, Unity, and the Future of Musical Theatre Employment”
  • lAFM President Ray Hair and AFM Local 802 President Tino Gagliardi led an AFM-EPF report that also included participation by fund actuaries and lawyers.

All national TMA officers were re-elected by acclamation, and some discussion was begun about the location of next year’s TMA conference.

Our organization has done some truly great work over the past 20-plus years of our existence, but there is so much more that must be done. Negotiations for a Pamphlet B successor agreement are right around the corner, and TMA will be at the table for these talks. Please go to to learn more about our organization.

Tony Damico is the president of the Theatre Musicians Association and plays bass for touring productions in the major theatres of Boston and throughout the New England area.