It’s here. There’s no stopping it. It’s outputting fantastic creations. Investing in A.I. company stock might prove rewarding.

But what about my trombone solo on the “Caldonia” 1965 recording? If found streaming, does that allow anyone to ingest it and use it in a new production that generates income? Do I get any of that money? How can I protect my “stuff?”

As noted in previous Allegro columns, there are multiple, ongoing lawsuits going after those who are using the work of others for their own gain without seeking or securing permission.

Hopefully, our lawmakers will provide teeth in forthcoming legislation to control such unauthorized usage. But with Washington as it is, don’t hold your breath.

STEP IN THE RIGHT DIRECTION?

Warner Music, one of the big three major labels has acquired an interest in Suno, a generative A.I. music creation platform. Their deal is crafted to benefit creators by providing protection and paying artists, songwriters and others for the use of their creations.

The partnership includes several aspects:

• Artists and songwriters have full control over how their names, images, likenesses, voices and compositions are used in new A.I.-generated music.
• New revenue streams are expected for artists and songwriters.
• More advanced models will require a paid account to download audio with some restrictions.
• Also owned by Suno is Songkick, which is expected to enlarge artist-fan relationships.

This is great for Warner artists, but what about me, man? What’s the story on my bone part being used without my knowledge beforehand nor any subsequent communications requesting permission? What can I do? And if you’re in the same boat as me, what can you do?

A FEW SUGGESTIONS

• Hire your own lawyer — but can you afford it? Better yet, join class action initiatives.
• If you hear your music being used without consent, compensation or credit, bring it to the attention of:
  • Your union (AFM and/or Local 802)
  • Your music publisher
  • Your political representatives
• Join the Freelance Musicians Association, the AFM’s dedicated group for independent musicians. Click here for more.
• Cry!

Gene Perla has been a member of Local 802 since 1967. He has an extensive background in the music industry, which you can read at https://www.perla.org/. He was profiled in Allegro in 2020 by Todd Bryant Weeks, and serves as a union steward in the New School Jazz Department, where he helped musicians win their latest union contract. He serves on the Local 802 AI Advisory Committee.

Personal essays published in Allegro (including MEMBER TO MEMBER) do not necessarily represent the opinions of the union or its members, officers or staff. To give feedback on this article or submit something to Allegro for consideration, send to allegro@local802afm.org.